I am an interdisciplinary filmmaker. I studied film editing at FAMU in Prague, and I work primarily as an editor and dramaturg while continuing to develop my own authorial voice as a director. I have collaborated on short films and documentaries that have screened and received recognition at major international film festivals. My recent work includes editing Filter (2026), a six-episode Czech Television series directed by David Semler, which had its world premiere at the 60th Karlovy Vary International Film Festival.

I become actively involved, ideally from its earliest stages, contributing ideas and taking part in the search for its form. When I sit before the raw material of a film in the editing room, I let instinct guide me. Preserving that first impulse is essential to me: if a shot moves me spontaneously, I know there is something alive in it. Throughout the entire process, I put that intuition to the test until I discover what truly belongs to the film.

My working philosophy begins with approaching each project as if for the first time, with the sense that I know nothing — staying open to the possibilities of each story and free to explore new cinematic forms of telling it. I continually question my own process to avoid falling into formulas and to preserve that openness to discovery. I don't think of the different film disciplines in isolation: in every project I bring into play everything I have learned as an editor, dramaturg and director.